The DaVinci Code Blasphemy on a Silver Platter
The DaVinci Code is more like a prophetic script of the Antichrist than a novel for entertaining reading. Every sinister plot of the Beast gets a moment to shine. “The Last Supper” of Leonardo da Vinci, famous without inspection, will probably be the greatest loser. It’s impossible to look past its reputation without seeing the clever deception planned by the artist. With at least five effeminate characters and one of them clearly a woman, its connection to the Bible becomes a joke. Almost every attack on Jesus Christ or the Bible has usually followed the same course as this book. Conspiracies, hidden messages or codes, anagrams or secret orders usually provide the gristmill for the plotters. This book is perfectly placed in time by God’s divine timetable. Remember, Satan is always on a leash.
Leonardo’s “Last Supper” painting in the church of Santa Maria delle Grazie in Italy is the center of the plot for Dan Brown’s book. I’m amazed that this painting has never been stripped from the wall of a church. It’s impossible to blame Mr. Brown for his book without blaming the organized church world for its naive’. The character that is identified as Saint John the beloved disciple, whom Christ, while He was on the cross, gave the safekeeping of His mother is not John at all. It is unquestionably a woman that was likely intended by the artist to represent Mary Magdalene. It was like a bombshell waiting from A.D. 1498 to A.D. 2006 to be exploited by an antichrist writer. The picture itself is blasphemous and a disgrace to the church world.
The more a person reads about Leonardo da Vinci the more he sees the sinister dimensions. LeonardoÂ’s homosexual lifestyle would certainly tend to make him see male figures in an effeminate fashion. Homosexuality and feminism are always closely aligned and will be the exalted culture of the coming One World Order ruled by the Beast. Leonardo would have hated any expression of strong masculinity and authoritarian actions even as it is attacked with unembarrassed hatred today. The picture of Jesus Christ in this so-called masterpiece is itself effeminate and grotesque. The long hair on the Lord is totally unbiblical and an attack on His incredible masculine nature as the Son of man.
The Da Vinci Code is clearly an attack on the authority of Holy Scripture. The church of Jesus Christ rises or falls on the authority of that one book. If the faith of man can be shaken to question the Bible, then the structure of the church will begin to waver. Suggestions that many equal gospels, such as the “Gospel of Phillip” or the “Gospel of Judas,” were rejected to protect Christ’s divinity are totally false. The Dead Sea Scrolls were even named as “early church traditions” casting a shadow on the Bible; and, yet, their entire dating was prior to the Life of Christ. Giving conspiracy theorists an equal footing with infallible truth will continue to gain footing as we head into the coming New World Order.
One cannot read the thrills of plotting and counter-plotting – the intrigue of life on the edge – without sensing the coming upheaval of a police-controlled world. The prophecies of the coming Great Tribulation fit the atmosphere that one feels reading this novel. The Bible speaks of a world where everything that can be shaken will be shaken. (Hebrews 12:27) The church is no longer safe and will become less so by the hour. Novels like this are preparing the world population for a new kind of order, a new kind of church, and a new kind of Bible. The Bible will not be destroyed without but will be destroyed within. It will be a Bible that the Antichrist can love.
Pictures of Jesus Christ are forbidden by the second commandment. “Thou shalt not make unto thee any graven image…” (Exodus 20:4a) There was an incredibly important reason for forbidding images in the House of God and, especially, images of the Biblical Creator, His Son, or His Holy Spirit. Men cannot help but put great importance on such pictures and, eventually, they become the point of worship, which God clearly forbids. At the appearance of the Antichrist, which is at the very door, the devil is smart enough to imitate these images. I believe that in the immediate future, false spirits will begin to appear in the likeness of paintings or statues that have been made familiar to the world. It is very possible that the so-called pictures of the Son of God represented in LeonardoÂ’s famous art will soon appear as a man before the masses. No wonder the Bible says that the world will worship the Beast. “And they worshipped the dragon (Satan) which gave power unto the beast (Antichrist): and they worshipped the beast, saying, Who is like unto the beast? who is able to make war with him?” (Revelation 13:4) With over fifty million books sold, The Da Vinci Code is proof that the world is almost ready for the Beast himself.
This book must be seen as a counterpart to the Bible. It is just as thrilling to those that love a sinister character and a sinister plot as the great saints of God love the Bible and thrill to its coming fulfillment. Reading the Book of Revelation is like reading the exact opposite of this book. The devil has a game plan with his Antichrist and our Father has a game plan with His Son. The choice of which adventure you choose is yours to make. There are a host of similar books flooding the market just in time for every living soul to decide his eternity. Sadly, multitudes have never read the Book of Revelation, or if they have, its message never caught on in their heart. Curious art books have been a genius of Satan for millenniums. The early church discovered the darkness spread by such evil intrigue and burned them at a great financial loss. “Many of them also which used curious arts brought their books together, and burned them before all men: and they counted the price of them, and found it fifty thousand pieces of silver.” (Acts 19:19) Dan Brown’s bestseller actually accuses the church of destroying the works of evil books, which they surely did, and which we should also do. Poor old Dan Brown and his The Da Vinci Code do not hold a light to the Father’s plan. One ends in a Lake of Fire and the other in a City of Gold.
Joseph R. Chambers